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Newyddion:(cy) |
Grahame
Davies Nominated for Book of the Year prize 2005. "One
of the most independent, and as such, most interesting voices of contemporary
Welsh-language poetry." "As a novel
of ideas Everything Must Change is a great intellectual achievement and
a fascinating state of the nation novel." "This is the first post-nationalist novel," Dafydd Elis-Thomas on Rhaid i Bopeth Newid. "One of the clearest public poetic voices of his generation," Emyr Lewis "An
unequalled satirist,” John Gruffydd Jones. “There’s
a new world-view on our everyday lives here, overloaded with memorable
images and phrases,” Menna Elfyn. He was born in 1964 and brought up in the former coal mining village of Coedpoeth near Wrexham in north east Wales. After gaining a degree in English Literature at CCAT (now Anglia Ruskin University) Cambridge, he qualified as a journalist with the Thomson Organisation at Newcastle-upon-Tyne and worked on newspapers in south Wales from 1985 until 1991, since when he has worked for BBC Wales. His career as a journalist and producer has brought him a number of Welsh and UK industry awards. In 1997, he was awarded a doctorate by the University of Wales for his study, written in Welsh, of the work of R.S.Thomas, Saunders Lewis, T.S. Eliot and Simone Weil, whom he identified as part of an anti-modern trend in Western culture in the 20th Century. In 1997, his first volume of poetry, Adennill Tir, (Barddas,) a book arising from the 10 years he spent in Merthyr Tydfil in the south Wales Valleys, won the Harri Webb Memorial Prize. In 1998, he was second to Emyr Lewis in the competition for the National Eisteddfod Crown. In 1999, his study of Wales and the anti-modern movement, Sefyll yn y Bwlch, (University of Wales Press, 1999), the product of his doctoral research, was published. It went "straight to the front rank of criticism of our day," according to the critic Dr Dafydd Glyn Jones (Barn), and was described as “a signal book” by the critic Dr Angharad Price (New Welsh Review). In 2000, he co-edited Oxygen, (Seren) a bilingual anthology of Welsh poets aged under 45. In 2001, his second volume of poetry, Cadwyni Rhyddid, (Barddas) appeared . It went to a second edition within a few months of publication, won the Wales Arts Council's 2002 Book of the Year award at the Hay on Wye Festival of Literature, together with a prize of £3,000. In 2002, Seren press published his literary anthology, The Chosen People, which details the relationship of the Welsh and the Jewish people as reflected in literature. Also in 2002, he edited a 160-page edition of the Bulgarian literary magazine Plamak (“Flame”) dedicated to Welsh literature, the first such anthology of Welsh writing in the Balkans. In 2002 Ffiniau/Borders appeared from Gomer press, a bilingual volume of poetry jointly with Elin ap Hywel. In 2003, he chaired the panel of judges for the Welsh Book of the Year Awards. The first prize of £5,000 went to Jerry Hunter's Llwch Cenhedloedd. In 2004 his first novel Rhaid i Bopeth Newid, was published by Gomer. It was longlisted for the £10,000 Book of the Year prize, 2005, and was described by Lord Dafydd Elis-Thomas in Taliesin as 'the first post-national novel.' Also in 2004, his selection of Welsh poetry in Asturian translation appeared in Spain from Kêr ar Mor press under the title Nel país del borrina (The Country of the Clouds). In 2005, his selection of Welsh poetry in Galician translation appeared under the title of No país de la brétema from VTP Editorial. In 2005, Seren published The Big Book of Cardiff, an anthology of contemporary writing about Cardiff, co-edited by Peter Finch and Grahame Davies. Also in 2005, his third volume of original Welsh-language poetry appeared from Barddas, under the title Achos (Cause). In 2006, his anthology of work by and about refugees and asylum seekers in Wales, Gwyl y Blaidd / Festival of the Wolf, appeared from Parthian/Hafan, edited jointly with Tom Cheesman and Sylvie Hoffman. In 2007, Seren published Everything Must Change, an English-language novel based on the successful Rhaid i Bopeth Newid. Also in 2007, Seren published Real Wrexham, a work of psychogeography in the Real series edited by Peter Finch. He is a full member of the Welsh Academi and was the Welsh-language editor of Poetry Wales magazine for several years until 2002. He won the vers libre prize in the National Eisteddfod in 1994, the sonnet prize in 2004 and the Welsh Academi’s Stomp competition in 2001. His work has been translated into several languages, including English, German, Latvian, Maltese, Bulgarian, Polish, Asturian and Galician, and is widely anthologised, appearing in publications as diverse as The Times, The Times Literary Supplement, Poetry London, the Literary Review in America, Orbis (#136 Spring 2006) and the Yearbook of Welsh Writing in English. He is a frequent contributor of articles and reviews to journals such as Poetry Wales, Barn, Taliesin, Planet and New Welsh Review, and his poetry is on the syllabus for school pupils in Wales. He is a regular columnist with Barddas. He reads regularly at festivals and venues, including the Berlin Poesiefestival, the National Eisteddfod, the Llangollen International Eisteddfod, several times at the Hay on Wye Festival of Literature and at the Royal Festival Hall in London. He has represented Wales at literary events in Europe, America and Canada, and frequently appears on television and radio. As a literary critic he has chaired the panel of judges for the £10,000 2004 Book of the Year Award, and has also adjudicated other major competitions such as the John Tripp Award for Spoken Poetry and the National Eisteddfod's 2006 Literary Medal Competition. He has completed several high-profile poetry commissions including for HRH The Prince of Wales, for the television channel S4C and for the Wales Millennium Centre, and his work has been set to music by the composer Karl Jenkins on the Number 1 album Requiem. He is a Fellow of Goodenough College in London, a member of the Society of Authors and a member of the Board of the Welsh Academi. Note: All Grahame Davies's travel and domestic and office energy use is carbon-balanced via the World Land Trust.
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